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Pieter Aertsen
Market Scene
Date ca. 1550(1550)
Medium Oil on oak Oil on panel
Dimensions Height: 59.5 cm (23.4 in). Width: 122.5 cm (48.2 in).
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Pieter Aertsen
Still Life
1552(1552)
Medium Oil on wood
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Pieter Aertsen
Peasants by the Hearth
1560s
Medium Oil on wood
Dimensions Height: 142.3 cm (56 in). Width: 198 cm (78 in
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Pieter Aertsen
Hearth
1560s
Medium Oil on wood
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Pieter Aertsen
The Egg Dance
1552(1552)
Medium Oil on panel
Dimensions 84 x 172 cm (33.1 x 67.7 in)
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Pieter Aertsen
Apostles Peter and John
Date 1575(1575)
Medium Oil on wood
Dimensions Height: 55.5 cm (21.9 in). Width: 76 cm (29.9 in).
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Pieter Aertsen
adoration of the Magi
1560(1560)
Medium Oil on panel
Dimensions 167.5 x 180 cm (65.9 x 70.9 in)
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Pieter Aertsen
Market Scene
1550(1550)
Medium Oil on oak Oil on panel
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Pieter Aertsen
Apostles Peter and John
1575(1575)
Medium Oil on wood
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Pieter Aertsen
The Presentation in the Temple or the Circumcision
c. 1560(1560)
Medium oil on panel
Dimensions Height: 190 cm (74.8 in). Width: 73 cm (28.7 in).
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Pieter Aertsen
The Vegetable Seller
1567(1567)
Medium oil on panel
Dimensions 110 X 110 cm (43.3 X 43.3 in)
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Pieter Aertsen
The Adoration of the Shepherds.
c. 1560 (1550-1570)
Medium oil on panel
Dimensions 89.9 X 59.2 cm (35.4 X 23.3 in)
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Pieter Aertsen
The Egg Dance.
1552.(1552.)
Medium oil on panel.
Dimensions 84 x 172 cm (33.1 x 67.7 in).
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| Pieter Aertsen
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1508-1575
Flemish
Pieter Aertsen Galleries
Dutch painter and draughtsman, active also in the southern Netherlands. He probably trained in his native Amsterdam but early on moved to Antwerp, where he enrolled in the Guild of St Luke as a master in 1535. In 1542 he was granted citizenship of the city. Among his pupils in Antwerp were Johannes Stradanus and later Joachim Beuckelaer, a cousin of the artist wife and his most loyal follower. The earliest known work by Aertsen is a triptych with the Crucifixion (c. 1545-6; Antwerp, Maagdenhuismus.) for the van den Biest Almshouse in Antwerp. From 1550 Aertsen development can be traced through a large number of signed and dated paintings. Religious works, mostly intended for churches, must have formed an important part of Aertsen output. His early paintings seem to have been strongly influenced by other Antwerp artists, as can be seen in the van den Biest triptych, where the figures are close to those in Jan Sanders van Hemessen background scenes. Van Hemessen influence is also strong in the pair of triptychs showing the Seven Sorrows of the Virgin and the Seven Joys of the Virgin (the latter dated 1554; both Zoutleeuw, St Leonard).
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